Friday, 26 July 2013

Essential Writings: A Journey Through Time, 2nd and Revised Edition

Helmut Schwab’s Essential Writings: A Journey through Time aims to distill the author’s previous essays on topics as diverse as the origin of the universe, human evolution, consciousness, and the search for spiritual meaning. The subtitle, “A modern ‘De Rerum Natura’” is a reference to Lucretius’s work of the same name, which spanned topics within the sciences as well as speculations about mind and soul.

Essential Writings emulates Lucretius’s approach from a time when science and religion were seen as simply branches of philosophy. The project is broad, aiming to explain many of the mysteries of existence and the human condition from the dawn of time into the future, and Schwab is skilled at synthesizing neuroscience, biochemistry, psychology, and philosophy of mind in a way that is accessible to a wider audience. Particularly notable is his economical explanation of the debate on free will.

Schwab’s treatment of politics and religion is nuanced and complex. He shares compelling arguments for agnosticism, if not atheism, but he finds relevant guidance in the moral teachings of religious traditions. His morality is grounded in virtues of personal fulfillment, service to others, and aesthetic appreciation. Readers may object to his implication that violence is endemic to (but certainly not exclusive to) Islam, yet he also demonstrates empathy for the plight of Palestinians.

Essential Writings is a niche book, with primary appeal for academics in philosophy or similar fields. It is overly ambitious in seeking to describe and justify a worldview about so much of our existence in so short a format, and the passages are too brief to be as effective as they could be. (Note: Schwab’s longer essays are available on his website.) In addition, it occasionally feels as if the author added threads of thought, ad hoc, to unrelated topics.

Despite such drawbacks, this project has commendable moments of real success grappling with complicated ideas that will interest its specific audience.

Also available in hardcover and ebook.

Author’s Current Residence
Princeton, New Jersey

Source: BlueInk Review

Thursday, 25 July 2013

The Hunted

The Hunted is a brilliantly understated fusion of anthropological mystery, apocalyptic science fiction, and ecological thriller. Stellar character development, a fascinating storyline, and vivid description make this a stay-up-all-night-until-your-eyes-bleed kind of read.

It all begins in the Amazon where the last remnants of an indigenous tribe (called the Ipanao) that has remained separate from the civilized world for thousands of years is discovered by a geological survey team — and almost all members killed. The survivors, all of whom have coffee-colored skin and jet-black hair, are brought to a medical facility and forced to undergo a series of tests. The results are mind-boggling: their DNA is radically different than that of modern humans.

Two Brazilian cultural anthropologists, David and Cecelia Goncalves, are brought in to assess the situation. Cecelia, seven months pregnant, falls in love with the orphaned Ipanao infant girl called Suyape. She quickly realizes there is something unusual about the baby, who seems to be able to communicate telepathically, but she keeps the information secret to save the child from further harm.

Fast-forward 17 years. David and Cecelia live in Brunswick, Maine, with their two daughters, Fabia and Suyape, whom the couple adopted before leaving Brazil. Suyape is a high school senior and actively promotes awareness of “non-contacteds,” people who live in tribes on the edge of civilization. By all outward appearances, she is a normal teenaged girl, until she begins experiencing bizarre visions and embarks on a journey of self-discovery that will take her back to her native jungles.

The beauty of this novel is that it works simultaneously as a Da Vinci Codesque suspense, a science fiction thriller, and an anthropology-powered mystery — and beneath it all is the monumentally significant issue of environmental degradation and looming ecological collapse. This is a compelling and powerful read.

(The only criticism is the ill-conceived cover art, which inexplicably depicts a light-skinned, blue-eyed girl and is completely unrelated to the storyline.)

Also available in hardcover and ebook.

Author’s Current Residence
Haverhill, Massachusetts

Source: BlueInk Review

Wednesday, 24 July 2013

ATOM

Stephen C. Sutcliffe’s ambitious first novel covers a lot of territory. Negotiating its wide-ranging landscape, readers will be hard-pressed to peg a specific genre. Is it an action-packed adventure? Psychedelic mysticism? An apocalyptic manifesto? ATOM aspires to be all of these, with limited success.

The story is that of Michael Brethren and his buddies, privileged kids enjoying a parent-funded prolonged adolescence, and yet obsessed with the specter of nuclear war. They wonder, “What is it like to grow up in a world that can’t annihilate itself in a matter of days or hours?” The group, known as The Children of Atom, counter-intuitively decides it will make way for a more peaceful world in the most violent way possible: setting off a nuclear bomb at a public event.

It’s a curious idea, that the world must suffer one final nuclear explosion before choosing to shun such weapons forever. These characters don’t question themselves, however, and rather nonchalantly embark on a violent drug heist, which they accomplish with unbelievable efficiency, little remorse, and an excess of film-worthy explosions.

Sutcliffe attempts to mark an emotional evolution in Michael as events unfold ---he has many dramatic moments of doubt---but Michael ultimately decides it’s “too late to dwell on right and wrong.” As the fate of 150,000 people hangs in the balance, readers might disagree.

Mired in melodramatic descriptions ranging from the cliché (a rainbow dancing in the mist) to the murky (“calliopes of manifold dissonance”) the action moves forward sporadically. Michael takes several unrelated side trips to play guitar, see a girl, and score some cocaine. Sutcliffe compounds the feeling of detachment by using the passive voice even in action scenes. Michael doesn’t crash into a lamp fixture while searching a drug lord’s study, but instead feels “his actions arrested by his collision with the faulty lamp.”

ATOM puts forth an intriguing idea, but ultimately fails to fully engage either its characters or its audience.

Source: BlueInk Review

Tuesday, 23 July 2013

In the Frightened Heart of Me: Tennessee Williams's Last Year

Tony Narducci had idolized Tennessee Williams for two decades when they met at a gay Key West disco in February 1982. Narducci offered his arm after having seen Williams stumble on the stairs. That simple act — the playwright stumbling, the young man propping him up — became the template for a complex and challenging friendship that lasted until Williams’s death almost exactly a year later.

Narducci was 34 to Williams’s 71, too young to put aside his own dreams and become Williams’s live-in companion as the writer exhorts him to do. Instead, the two travel and spend time together, in Narducci’s hometown of Chicago as well as Boston, New York and Key West.

Narducci’s poignant, well-written memoir (the title taken from Williams’s The Night of the Iguana), is based on his journal from that time, along with letters the two men exchanged. His description of a show staged by Williams and Vanessa Redgrave (in which Williams reads an essay with a loose denture bridge garbling some of his words) enlivens the narrative, as do cameo appearances by Mike Wallace and Andy Warhol, among others.

Narducci portrays his literary hero as alternately needy and lascivious, gracious and demanding; a pill-popping, wine-guzzling, emotional wreck prone to tears over his fear of dying loveless and alone. It’s a sympathetic portrait of a highly complex man, a man the author describes as an amalgam of Williams’s own fictional characters: “He was always protean: wise like Big Daddy, fragile like Laura, gentile like Blanche, persistent like Maggie, and fickle like Alexandra.”

Along with the last year of Williams’s life, Narducci’s memoir paints an indelible portrait of gay life on the brink of the AIDS epidemic, before the emerging “gay plague” is linked to unprotected sex. His bittersweet memoir is sure to captivate readers with an interest in Williams or in gay life on either side of the Great Divide that was AIDS.

Also available in hardcover.

Author’s Current Residence
Chicago, Illinois

Source: BlueInk Review

Tuesday, 9 July 2013

iUniverse 2013 - TopTenREVIEWS

If you are looking at online book publishing companies and want one that is fast, affordable and gives you more amenities than any other print-on-demand service, then iUniverse is for you. Their Select package offers authors a strong publishing package with excellent book selling capabilities and terrific help support helping it earn our TopTenREVIEWS Bronze Award.

In addition, for authors who do not have the experience to market their own book, iUniverse offers an extensive array of up-to-date marketing services that you can purchase for an extra fee beyond the initial publication services package. These services include getting help from a personal publicist, writing press releases, assistance in arranging public appearances and other traditional means of selling books.

This company has entered into the electronic world in a big way and that undoubtedly can be an enormous help to any author who wants to sell books on a wide scale. As part of this company’s additional paid services, it will do such things help you set up an author website, get Barnes & Noble “See Inside the Book” service and get keyword search help with Google/Amazon.

In short, if you have written a book, iUniverse gives you just about everything you need to publish, market and sell your creation. If it is now just sitting there either on your computer or in printed manuscript form, perhaps examining what iUniverse has to offer would be a wise move toward reaching that treasured goal of being a published author.

Read more: http://online-book-publishing-review.toptenreviews.com/iuniverse-review.html

Is iUniverse a Scam?

iUniverse Scam?

Is iUniverse a scam? More than 30,000 happy authors have brought their books to the marketplace through iUniverse – the industry’s leading supported self-publishing company. iUniverse prides itself on providing the best in professional publishing, editorial and book-selling services. iUniverse also is a BBB-Accredited company. If you have any questions about iUniverse or supported self-publishing, please give us a call at 1-800-AUTHORS.

Royalties Questions

Royalties can be confusing and we get lots of questions about how they work. We take the timely payment of royalties to our authors very seriously.

Two benefits to iUniverse’s supported self-publishing model: iUniverse authors retain all rights to their books and receive higher royalties for their work than through traditional publishers. Royalties are calculated based on the number of books, and now e-books, a particular author sells through online and brick and mortar retailers and distributors. Every quarter iUniverse authors receive a detailed accounting of their sales with their royalty checks (once they reach $25.00). Should an author choose to receive royalties through Direct Deposit, the $25.00 threshold need not be met.

If you have more questions about royalties, drop us a note at royalties@iuniverse.com, or call us at 1-800 AUTHORS.

How Your Books Are Sold on Amazon

Authors often express concerns about seeing “used” and “new” copies of their books on Amazon, yet they have not received the royalties for the sales of these “used” copies. Even though Amazon is advertising that they have “used” versions of your book, that’s not always the case. Amazon may choose to have a scale in the pricing structure, which iUniverse does not control. If you have questions about this or any of our services, please contact us today or call us at 1-800-AUTHORS.

My Self-Publishing Experience with iUniverse


I hold a copy of my first novel, Pippy, The Miracle of a Dream in my hand. It was recently published and it is a great feeling to see my story in print. Pippy, The Miracle of a Dream is a 136 page novel targeted at youth and adults ages 8 and up and I received my copies in December! Overall, I am more than happy with the quality of the final product and the experience with the publisher.

Only problem is I skipped the whole find-a-traditional-publisher experience and self-published the book. I believe it was the right decision in my case.

I waited to publish this novel until I retired from my real-world career. After reading numerous articles and blogs on getting a manuscript into print, I was slightly confused and fully disheartened. Almost every article and blog I read told of rejection after rejection after rejection. There were a few positives in the mix but very few.

I am a member of an online writers group, "The Next Big Writer," and read numerous truly excellent stories by aspiring authors who are having little luck in the main stream publishing world. Reading their works sadly contributed to my general discouragement. If they couldn't get published how could I?

A couple peers suggested self-publishing as an option. Several articles on this course of action denounce this option as complete vanity and associated works would and more importantly, should be snubbed by anyone in the main stream world of writers.

There were also several articles about how this process could turn out positive.

Self-Publishing is often called vanity publishing because the author skips the review and acceptance process of finding a publisher willing to publish your work of art. Self-Published books are looked down upon by those in the publishing industry; some with good cause.

As I delved deeper into the world of publishing and self-publishing, I decided I wanted my book published sooner rather than later and wasn't willing to wait month after month for a traditional publisher to accept my work. I also discovered that self-published stories are sometimes picked up by publishers later. That would be my objective!

My rationale for choosing self-publishing rather than submitting my manuscript for review involved these reasons:

*I wanted to get my book published quickly

*I was willing to spend the money

*I believed my book was good enough to get good reviews and a possible following allowing me to recoup the costs I expended.

*I would submit my manuscript to a traditional publisher understanding that I would lose all of my investment.

I checked into several self-publishers and chose IUniverse due to overall reviews on the net, their website and their staffs' professionalism. This company has some negative reviews too and I will touch on that! The costs of publishing your book can be substantial with options ranging from $600 for their basic package to $4199 for their Book Launch Premier Pro. They had a special (I am sure this happens regularly) for half off of these prices.

Other self-publishing companies offer similar and possibly better deals but I chose IUniverse and can only comment on their services.

From day one of working with the staff at IUniverse I was very pleased with their assistance, courtesy and guidance.

Editorial Evaluation

My package included an editorial evaluation and this is where I begin to have complaints with the company.

The editorial evaluation was done by a person independent of IUniverse and I received a filled out form with a list of canned questions regarding my manuscript and their general recommendation. I was NOT allowed to talk to this person. A representative of IUniverse said she received much more detailed notes from the person doing the independent evaluation. For the cost of this, I wanted to pick the evaluator's brain!

ADDITIONAL SERVICES: Lots more money

The IUniverse representative, called my editorial consultant, advised me that my book was eligible for the Editor's Choice Designation which, according to her, is very prestigious and only a small percentage of books get this designation. It would also greatly help sales of my book.

But to get this designation I would need to pay in excess of $1000 to hire an independent reviewer to go over it and recommend changes. This service is by the word and my book is short, only 27,000 words, so if I had a full length novel, say 80,000 words, this same service would cost closer to $3000 to $4000 or more.

The IUniverse representative tantalized me with the Editor's Choice designation saying that it would help my book to thrive in retail sales. I thought about it seriously and then came to the opinion that it was equivalent to many gimmicks used by car salespersons to entice you to buy a more loaded model. I had been baited in for a fairly reasonable amount and now was being enticed into spending much more money. I wondered if it would stop there….

I declined even against the very passionate pleas of the IUniverse representative. I am sure that many people are susceptible to this pitch as every author wants his or her novel to do well.

After passing this stage everything went smooth and very fast.

COVER ART

My goal was to have my cover designed by a local artist and I employed a local young lady who excelled at art to complete my vision. I also had another young lady draw several sketches for the interior of the book. Both of these steps were incorporated by the IUniverse staff easily and professionally.

FINAL REVIEW

Once the manuscript was sent to the printer, I received one final review before printing began. I had to make a few changes but these were done promptly and the next thing I knew, MY BOOK WAS IN PRINT and available online at Barnes and Noble, Amazon and other retailers!

My book is available in the hardbound, softbound, and as an e-book. The price for the e-book is standard at IUniverse for $3.99. The softbound, being 136 pages, retails for $11.95 while the hardbound is $10 more than the soft. Of course both Amazon and Barnes and Noble sell the book at reduced prices.

QUALITY

The softbound and hardbound copies of Pippy, The Miracle of a Dream are quality books. There is nothing that suggests a cheap route on the book. I would have to give that department an "A".

MY CUT!

I had the choice of receiving a twenty percent cut of each sale or ten percent. The ten percent cut allowed retailers to sell the book at even greater savings. I chose that, hoping for sales rather than profit!!!

MORE SALES PITCHES

Once my book was in print I received several phone calls from an IUniverse representative tasked with being my marketing consultant. He said that for me to get the ultimate potential sales, I needed to hire a promoter for my book-someone who could get Pippy mentioned in the New York Times blogs; an expert who could use the digital and social media to promote my book.

Of course this cost a pretty penny, starting at just over three thousand dollars. I didn't really have a choice in this matter…I didn't have the money available to invest so I had to decline! I would have declined either way as to recoup the three thousand dollars would take almost five thousand book sales if part of them were e-books.

CONCLUSION

Overall I am happy with the service IUniverse provided for me. I am more than pleased with the book, happy with its availability online at Amazon, Barnes and Noble and other retailers.

I would highly recommend this route IF an author wants his book published and has been turned down or in my case, doesn't want to take the time to receive a publishing contract.

IUniverse is a quality company and their work and assistance was top notch-only be aware that they will try to sell you other services that will cost much more than your original investment.

Source: My Self-Publishing Experience with IUniverse